Lüneburg by Braun & Hogenberg c. 1610
COMMENTARY BY BRAUN (on verso): "The city of Lüneburg is very famous in Lower Saxony and takes its name either from the statue of Luna that in ancient time stood on the limestone hill or from the little river that flows past it, now called the Ilmenau but formerly known as the Luno, or Lunaw. [...] In this city, there is a remarkable saline spring, a wonderful gift from God the Almighty [...]. It is first mentioned in the chronicles of Emperor Otto I. As the chronicler Helmond of Bosau has written, Henry the Lion promoted salt production in Lüneburg over the saline springs in Oldesloe, which he ordered to be filled in so that the city of Lüneburg would not be disadvantaged."
This bird's-eye plan shows Lüneburg from the north, i.e. with the main arm of the Ilmenau on the left and thus to the east. Although the fortress perched on the Kalkberg (Kalckberch) to the west had been destroyed as long as 1371, Hogenberg includes it in this view. The limestone Kalckberch - still 80m high in the 16th century - and the salt industry were primely important for Lüneburg's economic growth. Salt mining was already in operation by AD 956 when St Michael's monastery was granted the rights to the duty levied on the city's salt exports. Salt continued to be mined in Lüneburg for over 1,000 years, most intensively from the 11th to the 16th century, when Lüneburg held the salt monopoly in northern Germany. Some 300 labourers worked day and night to extract the "white gold", which was subsequently shipped chiefly from Lübeck. The salt industry was an influencing factor even in the 13th century upon the later granting of the city's charter and, in the 15th and early 16th centuries, fuelled Lüneburg's greatest economic boom. Salt production was finally discontinued in 1980, and the saline waters are now exploited only in thermal baths and spas. (Taschen)
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.
Luneborch
Item Number: 16680 new Authenticity Guarantee
Category: Antique maps > Europe > Germany - Cities
Lüneburg by Braun & Hogenberg.
Title: Luneborch.
Date of the first edition: 1596.
Date of this map: c. 1610.
Copper engraving, printed on paper.
Size (not including margins): 350 x 465mm (13.78 x 18.31 inches).
Verso: French text.
Condition: Original coloured, excellent.
Condition Rating: A+.
From: Théâtre des Principales Villes de tout l'Univers. Tome 5. c. 1610.
COMMENTARY BY BRAUN (on verso): "The city of Lüneburg is very famous in Lower Saxony and takes its name either from the statue of Luna that in ancient time stood on the limestone hill or from the little river that flows past it, now called the Ilmenau but formerly known as the Luno, or Lunaw. [...] In this city, there is a remarkable saline spring, a wonderful gift from God the Almighty [...]. It is first mentioned in the chronicles of Emperor Otto I. As the chronicler Helmond of Bosau has written, Henry the Lion promoted salt production in Lüneburg over the saline springs in Oldesloe, which he ordered to be filled in so that the city of Lüneburg would not be disadvantaged."
This bird's-eye plan shows Lüneburg from the north, i.e. with the main arm of the Ilmenau on the left and thus to the east. Although the fortress perched on the Kalkberg (Kalckberch) to the west had been destroyed as long as 1371, Hogenberg includes it in this view. The limestone Kalckberch - still 80m high in the 16th century - and the salt industry were primely important for Lüneburg's economic growth. Salt mining was already in operation by AD 956 when St Michael's monastery was granted the rights to the duty levied on the city's salt exports. Salt continued to be mined in Lüneburg for over 1,000 years, most intensively from the 11th to the 16th century, when Lüneburg held the salt monopoly in northern Germany. Some 300 labourers worked day and night to extract the "white gold", which was subsequently shipped chiefly from Lübeck. The salt industry was an influencing factor even in the 13th century upon the later granting of the city's charter and, in the 15th and early 16th centuries, fuelled Lüneburg's greatest economic boom. Salt production was finally discontinued in 1980, and the saline waters are now exploited only in thermal baths and spas. (Taschen)
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.