Gallipoli by Georg Braun & Frans Hogenberg, published by J. Janssonius. 1657
TRANSLATION OF CARTOUCHE TEXT: The most secure town of Gallipoli has very healthy air and is also very populous. It has 1,800 houses within a radius of just one and a half miles. The entire town lies on a rock, well protected by walls, which are also magnificent to look at due to their design.
COMMENTARY BY BRAUN (on verso): "Gallipoli lies on a rock and is connected to the mainland by a bridge. At the entrance to the city stands a well-fortified castle, which protects and preserves the site. In addition to other churches, Gallipoli has a great cathedral dedicated to St Agatha. It also has a new fountain, which is decorated with artistic pictures of good and healthy water flowing from five pipes for the benefit of the populace. [...] The island, divided in half by the sea and labelled as Number 6, was once part of the mainland but was severed from the city by the rough seas. It has now become an island dedicated to St Andrew."
The heavily fortified town of Gallipoli, which lies on a rocky island in the Gulf of Tarent south of Lecce, is presented in a bird's-eye view from the north. The maritime staffage (sailing boats, galleys and dolphins) emphasizes Gallipoli's role as a port near the southern tip of the Salentine Peninsula. At the entrance to the town, still on the mainland, stands the Fontana Hellenistica, or "Greek fountain" (Fonte Nuovo, 11), adorned with antique reliefs. Also worthy of mention are the citadel and the cathedral of Sant'Agata (1), replaced after 1629 by a new church in the Leccese Baroque style. Gallipoli's historical Old Town rises on the foundations of the Greek settlement of Kallipolis, whose name means "beautiful city". Even today, the small town in the Apulian province of Lecce has preserved this aura.
The view is made after a copper engraving by Natale Bonifacio di Girolamo (according to Skelton 1956), who was active in Rome and Venice c. 1580. The draughtsman was Giambattista Crispi.
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.
The Janssonius Family
Joannes Janssonius (Arnhem, 1588-1664), son of the Arnhem publisher Jan Janssen, married Elisabeth Hondius, daughter of Jodocus Hondius, in Amsterdam in 1612. After his marriage, he settled down in this town as a bookseller and publisher of cartographic material. In 1618, he established himself in Amsterdam next door to Blaeu’s bookshop. He entered into serious competition with Willem Jansz. Blaeu when copying Blaeu’s Licht der Zeevaert after the expiration of the privilege in 1620. His activities concerned the publication of atlases, books, single maps, and an extensive book trade with branches in Frankfurt, Danzig, Stockholm, Copenhagen, Berlin, Koningsbergen, Geneva, and Lyon. In 1631, he began publishing atlases together with Henricus Hondius.
In the early 1640s, Henricus Hondius left the atlas publishing business to Janssonius. Competition with Joan Blaeu, Willem’s son and successor, in atlas production, prompted Janssonius to enlarge his Atlas Novus finally into a work of six volumes, into which a sea atlas and an atlas of the Old World were inserted. Other atlases published by Janssonius are Mercator’s Atlas Minor, Hornius’s historical atlas (1652), the townbooks in eight volumes (1657), Cellarius’s Atlas Coelestis and several sea atlases and pilot guides.
After the death of Joannes Janssonius, the shop and publishing firm were continued by the heirs under the direction of Johannes van Waesbergen (c. 1616-1681), son-in-law of Joannes Janssonius. Van Waesbergen added Janssonius's name to his own.
In 1676, Joannes Janssonius’s heirs sold by auction “all the remaining Atlases in Latin, French, High and Low German, as well as the Stedeboecken in Latin, in 8 volumes, bound and unbound, maps, plates belonging to the Atlas and Stedeboecken.” The copperplates from Janssonius’s atlases were afterwards sold to Schenk and Valck.
Galli Polis / La fidelissima Citta di Gallipoli . . .
Item Number: 31090 new Authenticity Guarantee
Category: Antique maps > Europe > Italy - Cities
Gallipoli by Georg Braun & Frans Hogenberg, published by J. Janssonius.
Title: Galli Polis / La fidelissima Citta di Gallipoli . . .
Date of the first edition: 1596.
Date of this map: 1657.
Copper engraving, printed on paper.
Image size: 380 x 515mm (14.96 x 20.28 inches).
Sheet size: 470 x 560mm (18.5 x 22.05 inches).
Verso: Latin text.
Condition: Original coloured, two tears in lower margin repaired.
Condition Rating: A
From: Theatrum Celebriorum Urbium Italiae, aliarumque in Insulis Maris Mediterranei. Amsterdam, J. Janssonius [1657]. (Van der Krogt 4, p. 282, 42:15)
TRANSLATION OF CARTOUCHE TEXT: The most secure town of Gallipoli has very healthy air and is also very populous. It has 1,800 houses within a radius of just one and a half miles. The entire town lies on a rock, well protected by walls, which are also magnificent to look at due to their design.
COMMENTARY BY BRAUN (on verso): "Gallipoli lies on a rock and is connected to the mainland by a bridge. At the entrance to the city stands a well-fortified castle, which protects and preserves the site. In addition to other churches, Gallipoli has a great cathedral dedicated to St Agatha. It also has a new fountain, which is decorated with artistic pictures of good and healthy water flowing from five pipes for the benefit of the populace. [...] The island, divided in half by the sea and labelled as Number 6, was once part of the mainland but was severed from the city by the rough seas. It has now become an island dedicated to St Andrew."
The heavily fortified town of Gallipoli, which lies on a rocky island in the Gulf of Tarent south of Lecce, is presented in a bird's-eye view from the north. The maritime staffage (sailing boats, galleys and dolphins) emphasizes Gallipoli's role as a port near the southern tip of the Salentine Peninsula. At the entrance to the town, still on the mainland, stands the Fontana Hellenistica, or "Greek fountain" (Fonte Nuovo, 11), adorned with antique reliefs. Also worthy of mention are the citadel and the cathedral of Sant'Agata (1), replaced after 1629 by a new church in the Leccese Baroque style. Gallipoli's historical Old Town rises on the foundations of the Greek settlement of Kallipolis, whose name means "beautiful city". Even today, the small town in the Apulian province of Lecce has preserved this aura.
The view is made after a copper engraving by Natale Bonifacio di Girolamo (according to Skelton 1956), who was active in Rome and Venice c. 1580. The draughtsman was Giambattista Crispi.
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.
The Janssonius Family
Joannes Janssonius (Arnhem, 1588-1664), son of the Arnhem publisher Jan Janssen, married Elisabeth Hondius, daughter of Jodocus Hondius, in Amsterdam in 1612. After his marriage, he settled down in this town as a bookseller and publisher of cartographic material. In 1618, he established himself in Amsterdam next door to Blaeu’s bookshop. He entered into serious competition with Willem Jansz. Blaeu when copying Blaeu’s Licht der Zeevaert after the expiration of the privilege in 1620. His activities concerned the publication of atlases, books, single maps, and an extensive book trade with branches in Frankfurt, Danzig, Stockholm, Copenhagen, Berlin, Koningsbergen, Geneva, and Lyon. In 1631, he began publishing atlases together with Henricus Hondius.
In the early 1640s, Henricus Hondius left the atlas publishing business to Janssonius. Competition with Joan Blaeu, Willem’s son and successor, in atlas production, prompted Janssonius to enlarge his Atlas Novus finally into a work of six volumes, into which a sea atlas and an atlas of the Old World were inserted. Other atlases published by Janssonius are Mercator’s Atlas Minor, Hornius’s historical atlas (1652), the townbooks in eight volumes (1657), Cellarius’s Atlas Coelestis and several sea atlases and pilot guides.
After the death of Joannes Janssonius, the shop and publishing firm were continued by the heirs under the direction of Johannes van Waesbergen (c. 1616-1681), son-in-law of Joannes Janssonius. Van Waesbergen added Janssonius's name to his own.
In 1676, Joannes Janssonius’s heirs sold by auction “all the remaining Atlases in Latin, French, High and Low German, as well as the Stedeboecken in Latin, in 8 volumes, bound and unbound, maps, plates belonging to the Atlas and Stedeboecken.” The copperplates from Janssonius’s atlases were afterwards sold to Schenk and Valck.
