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Madrid by Pierre Aveline, published in Paris by Jean. c. 1780

Aveline Family

A family of Parisian engravers and map sellers flourished in the seventeenth and eighteenth centuries.

The main members of this family were:

  • Pierre Aveline I (1656-1722) was a cartographer and engraver who specialised in topographical views.

  • Antoine Aveline I (1662-1712) Engraver and publisher of city views.


The Jean Family were geographers, publishers and 'Marchands d'estampes' of Paris at the end of the 18th century.

Most works are credited simply 'Jean'.

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Madrid Villa Capital Del Reyno D'Espana, y Real Corte De Los Reyes Catolicos, vista de la puente de Sogovia. - Madrid Ville Capitale du Royaume d'Espagne, résidence des Rois Catholiques, veuë du côté du Pont de Segovie.

€1250  ($1337.5 / £1062.5)
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Item Number:  28776  new
Category:  Antique maps > Europe > Spain and Portugal

Old, antique view of Madrid by Pierre Aveline, published in Paris by Jean.

Title: Madrid Villa Capital Del Reyno D'Espana, y Real Corte De Los Reyes Catolicos, vista de la puente de Sogovia. - Madrid Ville Capitale du Royaume d'Espagne, résidence des Rois Catholiques, veuë du côté du Pont de Segovie.
A Paris chez Jean. rue Jean de Beauvais. N° 32.

VERY RARE.

Date of the first edition: c. 1702.
Date of this view: c. 1780.

Copper engraving, printed on paper.
Map size: 345 x 515mm (13.58 x 20.28 inches).
Sheet size: 380 x 550mm (14.96 x 21.65 inches).
Verso: Blank.
Condition: Original coloured in the style of the French perspective views, excellent.
Condition Rating: A+.

Separate publication.

We could not find any trace of this view with this publisher's address.

Aveline Family

A family of Parisian engravers and map sellers flourished in the seventeenth and eighteenth centuries.

The main members of this family were:

  • Pierre Aveline I (1656-1722) was a cartographer and engraver who specialised in topographical views.

  • Antoine Aveline I (1662-1712) Engraver and publisher of city views.


The Jean Family were geographers, publishers and 'Marchands d'estampes' of Paris at the end of the 18th century.

Most works are credited simply 'Jean'.