Chios, by Georg Braun and Frans Hogenberg. 1599
TRANSLATION OF CARTOUCHE TEXT: Chios, city on the eponymous island in the Aegean Sea.
COMMENTARY BY BRAUN (on verso): "Chios is one of the Ionian Islands, where there is a city that is renowned for its seaport [...], which Thucydides calls the greatest and richest of all Ionian cities. There is nothing more famous on this island than the wine that bears its name: known as Chian wine, it is of all Greek wines the best, as both Strabo and Aelian confirm. [...] The island is just as famous, however, for a tree called Lentiscus in Latin that is native to it and from which gum or resin drips, which is known as mastic."
The engraving shows the seaport of Chora, the capital of Chios, seen from the east in a bird's-eye view. The town is represented as divided into the strongly fortified Byzantine Castro and the town itself, which is defended on the landward side by massive watchtowers with a moat and a drawbridge. The fringe of windmills lining the coast indicates how fertile the island is. In antiquity Chios was an important trading centre and was also famous for its vineyards and mastic plantations. The island was under Venetian hegemony (1204-1304), then it went to Genoa and in 1566 to the Ottoman Empire. The 10th century church of Aghios Nikolaos (right) was used as a mosque from that date. Chios's mastic and silk production secured it a broad measure of autonomy. (Taschen)
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.
Chios Maris Aegaei eiusdem nominis Insulae Civitas.
Item Number: 24130 Authenticity Guarantee
Category: Antique maps > Mediterranean Sea
Antique map - Bird's-eye view of Chios by Braun and Hogenberg.
TRANSLATION OF CARTOUCHE TEXT: Chios, city on the eponymous island in the Aegean Sea.
COMMENTARY BY BRAUN (on verso): "Chios is one of the Ionian Islands, where there is a city that is renowned for its seaport [...], which Thucydides calls the greatest and richest of all Ionian cities. There is nothing more famous on this island than the wine that bears its name: known as Chian wine, it is of all Greek wines the best, as both Strabo and Aelian confirm. [...] The island is just as famous, however, for a tree called Lentiscus in Latin that is native to it and from which gum or resin drips, which is known as mastic."
The engraving shows the seaport of Chora, the capital of Chios, seen from the east in a bird's-eye view. The town is represented as divided into the strongly fortified Byzantine Castro and the town itself, which is defended on the landward side by massive watchtowers with a moat and a drawbridge. The fringe of windmills lining the coast indicates how fertile the island is. In antiquity Chios was an important trading centre and was also famous for its vineyards and mastic plantations. The island was under Venetian hegemony (1204-1304), then it went to Genoa and in 1566 to the Ottoman Empire. The 10th century church of Aghios Nikolaos (right) was used as a mosque from that date. Chios's mastic and silk production secured it a broad measure of autonomy. (Taschen)
Date of the first edition: 1588
Date of this map: 1599
Copper engraving
Size: 37 x 49cm (14.4 x 19.1 inches)
Verso text: Latin
Condition: Uncoloured, excellent.
Condition Rating: A
References: Van der Krogt 4, 881, State 1; Taschen, Braun and Hogenberg, p.344.
From: Liber quartus Urbium Praecipuarum totius Mundi. Cologne, Bertram Buchholtz, 1599. (Van der Krogt 4, 41:1.4(1599))
TRANSLATION OF CARTOUCHE TEXT: Chios, city on the eponymous island in the Aegean Sea.
COMMENTARY BY BRAUN (on verso): "Chios is one of the Ionian Islands, where there is a city that is renowned for its seaport [...], which Thucydides calls the greatest and richest of all Ionian cities. There is nothing more famous on this island than the wine that bears its name: known as Chian wine, it is of all Greek wines the best, as both Strabo and Aelian confirm. [...] The island is just as famous, however, for a tree called Lentiscus in Latin that is native to it and from which gum or resin drips, which is known as mastic."
The engraving shows the seaport of Chora, the capital of Chios, seen from the east in a bird's-eye view. The town is represented as divided into the strongly fortified Byzantine Castro and the town itself, which is defended on the landward side by massive watchtowers with a moat and a drawbridge. The fringe of windmills lining the coast indicates how fertile the island is. In antiquity Chios was an important trading centre and was also famous for its vineyards and mastic plantations. The island was under Venetian hegemony (1204-1304), then it went to Genoa and in 1566 to the Ottoman Empire. The 10th century church of Aghios Nikolaos (right) was used as a mosque from that date. Chios's mastic and silk production secured it a broad measure of autonomy. (Taschen)
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.