Münden by Braun and Hogenberg. 1599
TRANSLATION OF CARTOUCHE TEXT: A true-to-life drawing of the Lower Saxton town of Hannoversch Münden on the River Werra.
COMMENTARY BY BRAUN (on the verso): "Münden, an ancient town in Saxony, is ideally situated for trade and commerce because it is at the confluence of several famous rivers. [...] Because Münden abounds in water and boasts many ships, goods shipped down the River Weser from Bremen can be brought here even from the heart of Germany and, conversely, sent back there, merchants tend to settle here."
The raised vantage point underscores the location of Münden at the confluence of the Rivers Fulda and Werra, which made the town eminently suited to trade and commerce. Together they form the Weser, whose navigability is confirmed by many barges. The town, first mentioned in records in AD 837, had the right to make traders leave goods for storage here and was the most important port for river trade between central Germany and Bremen. In addition, important trade routes converged here, as shown by the covered bridge over the Werra. The apparel worn by the figures depicted in the foreground is in the royal colours blue, red and gold to emphasize the prosperity of the townspeople. The large 13th-century church of St Giles stands out within the walled town. From the 15th century, Münden had its own jurisdiction, which the gallows top right symbolizes. The Hannoversch Münden Old Town, which is intact, today, is one of the finest extant examples of a medieval town. (Taschen)
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.
Munden - Mundensis, ad Visurgum flu: Saxoniae Urbis, genuina delineatio.
Item Number: 24113 Authenticity Guarantee
Category: Antique maps > Europe > Germany - Cities
Antique map - bird's-eye view of Hannoversch Münden by Braun and Hogenberg.
Title: Munden - Mundensis, ad Visurgum flu: Saxoniae Urbis, genuina delineatio.
Date of the first edition: 1588.
Date of this map: 1599.
Copper engraving, printed on paper.
Size (not including margins): 295 x 485mm (11.61 x 19.09 inches).
Verso: Latin text.
Condition: Uncoloured, excellent.
Condition Rating: A.
From: Liber quartus Urbium Praecipuarum totius Mundi. Cologne, Bertram Buchholtz, 1599. (Van der Krogt 4, 41:1.4(1599))
TRANSLATION OF CARTOUCHE TEXT: A true-to-life drawing of the Lower Saxton town of Hannoversch Münden on the River Werra.
COMMENTARY BY BRAUN (on the verso): "Münden, an ancient town in Saxony, is ideally situated for trade and commerce because it is at the confluence of several famous rivers. [...] Because Münden abounds in water and boasts many ships, goods shipped down the River Weser from Bremen can be brought here even from the heart of Germany and, conversely, sent back there, merchants tend to settle here."
The raised vantage point underscores the location of Münden at the confluence of the Rivers Fulda and Werra, which made the town eminently suited to trade and commerce. Together they form the Weser, whose navigability is confirmed by many barges. The town, first mentioned in records in AD 837, had the right to make traders leave goods for storage here and was the most important port for river trade between central Germany and Bremen. In addition, important trade routes converged here, as shown by the covered bridge over the Werra. The apparel worn by the figures depicted in the foreground is in the royal colours blue, red and gold to emphasize the prosperity of the townspeople. The large 13th-century church of St Giles stands out within the walled town. From the 15th century, Münden had its own jurisdiction, which the gallows top right symbolizes. The Hannoversch Münden Old Town, which is intact, today, is one of the finest extant examples of a medieval town. (Taschen)
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.