This product is successfully added to your cart
Questions about this product? (#23459)

Authenticity Guarantee
All items are guaranteed authentic prints (woodcuts or engravings) or manuscripts made at or about (c.) the given date and in good condition unless stated otherwise. We don’t sell facsimiles or reproductions. We deliver every map with a Certificate of Authenticity containing all the details.

The Strait of Messina by Georg Braun & Frans Hogenberg, after a drawing by Pieter Brueghel and adapted by Georg Hoefnagel. 1618

TRANSLATION OF CAPTION: View of the Strait of Sicily, in the vernacular the "Strait of Messina". It is a strait, dangerous and flowing in two directions, into the Tuscan Sea and the Ionian Sea, full of whirlpools, known as Scylla and Charybdis because of their ferocity.   
  
CARTOUCHE BOTTOM RIGHT: *Discovered among autograph studies by Pieter Brueghel, the great painter of our time. Drawn by himself: procured by Georg Hoefnagel. In the year 1617.   
  
COMMENTARY BY BRAUN: *"But the Latin authors refer to this strait by many names - there is no need to list them all here. It is so narrow that it is scarcely 6,000 paces wide in some places and so stormy that there are more dangers here than on the high seas, both because of the two rocks Scylla and Charybdis and because of the strong current. \[...\] This mountain is so high that it can be seen not only in the whole of Sicily but also in Calabria on the other side of the sea. \[...\] Now, although the interior of this mountain is always burning, and flames shoot up, sometimes bright and sometimes dark, it is always full of snow at the places where the fire burns most fiercely, even in the middle of the summer. Thus, the snow is not melted by the fire, nor is the fire extinguished by the snow."*   
  
This is a view from the northeast of the Strait of Messina, with many ships passing to and fro. Part of the city of Reggio (B) and the Calabrian hinterland (A) can be seen on the left; on the right is the fortified city of Messina (D) with its characteristic crescent-shaped harbour, surrounded by green hills. In the middle of the city is the cathedral of Maria Santissima Assunta. The view is dominated by the smoking Mount Etna (A), at over 3,300m, the highest volcano in Europe. That Braun should choose for the very last chapter of his lifework the place where, according to the ancients, the monsters Scylla and Charybdis dwelt, may be understood as a bow to Odysseus - not only the most prominent person to have passed through this strait but also the first traveller in the history of humanity. (Taschen)   

Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.

The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.

Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.

Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.

Georg Braun (1541-1622)

Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.

Frans Hogenberg (1535-1590)

Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.

By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.

Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.

back

Prospectus Freti Siculi vulgo il Faro di Messina.

SOLD

Item Number:  23459 Authenticity Guarantee

Category:  Antique maps > Europe > Italy - Cities

Bird's-eye view of the Strait of Messina after a drawing by Pieter Brueghel and adapted by Georg Hoefnagel.

Title: Prospectus Freti Siculi vulgo il Faro di Messina.
Repertum inter studia aytographe Petri Bruegelij Pictoris nostri seculi eximij. Ab ipsomet delineatum. Communicavit Georgius Houfnaglius Anno 1617.

Date of the first edition: 1617.
Date of this map: 1618.
Date on map: 1617.

Copper engraving, printed on paper.
Map size: 305 x 473mm (12.01 x 18.62 inches).
Sheet size: 415 x 535mm (16.34 x 21.06 inches).
Verso: Latin text.
Condition: Excellent, superb old colour.
Condition Rating: A+.
References: Van der Krogt 4, #2706; Taschen, Br. Hog., p. 490; Fauser, #8760

From: Theatri praecipuarum Totius Mundi Urbium Liber Sextus Anno MDCXVIII. (Van der Krogt 4, 41:1.6)

TRANSLATION OF CAPTION: View of the Strait of Sicily, in the vernacular the "Strait of Messina". It is a strait, dangerous and flowing in two directions, into the Tuscan Sea and the Ionian Sea, full of whirlpools, known as Scylla and Charybdis because of their ferocity.   
  
CARTOUCHE BOTTOM RIGHT: *Discovered among autograph studies by Pieter Brueghel, the great painter of our time. Drawn by himself: procured by Georg Hoefnagel. In the year 1617.   
  
COMMENTARY BY BRAUN: *"But the Latin authors refer to this strait by many names - there is no need to list them all here. It is so narrow that it is scarcely 6,000 paces wide in some places and so stormy that there are more dangers here than on the high seas, both because of the two rocks Scylla and Charybdis and because of the strong current. \[...\] This mountain is so high that it can be seen not only in the whole of Sicily but also in Calabria on the other side of the sea. \[...\] Now, although the interior of this mountain is always burning, and flames shoot up, sometimes bright and sometimes dark, it is always full of snow at the places where the fire burns most fiercely, even in the middle of the summer. Thus, the snow is not melted by the fire, nor is the fire extinguished by the snow."*   
  
This is a view from the northeast of the Strait of Messina, with many ships passing to and fro. Part of the city of Reggio (B) and the Calabrian hinterland (A) can be seen on the left; on the right is the fortified city of Messina (D) with its characteristic crescent-shaped harbour, surrounded by green hills. In the middle of the city is the cathedral of Maria Santissima Assunta. The view is dominated by the smoking Mount Etna (A), at over 3,300m, the highest volcano in Europe. That Braun should choose for the very last chapter of his lifework the place where, according to the ancients, the monsters Scylla and Charybdis dwelt, may be understood as a bow to Odysseus - not only the most prominent person to have passed through this strait but also the first traveller in the history of humanity. (Taschen)   

Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.

The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.

Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.

Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.

Georg Braun (1541-1622)

Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.

Frans Hogenberg (1535-1590)

Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.

By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.

Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.

References: Van der Krogt 4 - #2706; Taschen (Br. Hog.) - p. 490; Fauser - #8760