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All items are guaranteed authentic prints (woodcuts or engravings) or manuscripts made at or about (c.) the given date and in good condition unless stated otherwise. We don’t sell facsimiles or reproductions. We deliver every map with a Certificate of Authenticity containing all the details.

Florence (Firenze) by Basset (Paris) Ca. 1780

Basset was not just the name of a prominent family of Parisian print publishers, it was a dynasty. Active from the late 17th century into the 19th century, the name 'Basset' was a symbol of continuity and legacy, representing a lineage of print dealers and publishers who worked under that name across several generations.

The firm was especially active during the 18th century, specialising in optical prints, decorative and allegorical prints (such as prints with symbolic or metaphorical elements), religious, historical, and genre scenes, city views and exotic imagery.

Basset’s prints were not just part of the popular visual culture of the Enlightenment era, they were its backbone. Widely distributed and often sold at fairs, in print shops, or via itinerant vendors, their influence was felt far and wide.

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Vue du Superbe Jardin du Palais Pite nouvellement fait par l'archiduc de L'eaupol D autriche

€300  ($348 / £255)
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Item Number:  17512  new Authenticity Guarantee

Category:  Antique maps > Europe > Italy - Cities

Florence (Firenze) by Basset (Paris)

Title: Vue du Superbe Jardin du Palais Pite nouvellement fait par l'archiduc de L'eaupol D autriche
A Paris chez Basset rue S. Jacques.

At the top is a title in mirror writing.

Date: Ca. 1780.

Copper engraving, printed on paper.
Image size: 275 x 400mm (10¾ x 15¾ inches).
Sheet size: 330 x 480mm (13 x 19 inches).
Verso: Blank.
Condition: Original coloured, excellent.
Condition Rating: A+.

Separate publication.

Basset was not just the name of a prominent family of Parisian print publishers, it was a dynasty. Active from the late 17th century into the 19th century, the name 'Basset' was a symbol of continuity and legacy, representing a lineage of print dealers and publishers who worked under that name across several generations.

The firm was especially active during the 18th century, specialising in optical prints, decorative and allegorical prints (such as prints with symbolic or metaphorical elements), religious, historical, and genre scenes, city views and exotic imagery.

Basset’s prints were not just part of the popular visual culture of the Enlightenment era, they were its backbone. Widely distributed and often sold at fairs, in print shops, or via itinerant vendors, their influence was felt far and wide.