Antique map - Bird's-eye view plan of Amsterdam by Braun and Hogenberg 1572
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.
Amstelredamum, Nobile Inferioris Germaniae Oppidum ...
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Category: Antique maps > Europe > The Netherlands - Cities
Antique map - Bird's-eye view plan of Amsterdam by Braun and Hogenberg, with key to locations. First state.
TRANSLATION OF CARTOUCHE TEXT: Amsterdam is a well-known city in Lower Germany that has arisen in recent times to accommodate merchants and is inhabited by people engaged in trade. It is almost impossible to think of a commercial activity that is not practised here. Hence profit seeking businessmen are drawn to this city from the most far-away lands and tranship various goods, first and foremost grain, to Brabant and other parts of the world. Vast riches result from trade of this kind.
COMMENTARY BY BRAUN: "Holland is the most fertile part of the Netherlands. It is crossed by many waterways full of fish, which ensure that in the whole world there is no other landscape in which so many cities lie within such a confined area ... Amongst these, Amsterdam is the noblest ... It lies on the River Amstel, from which many canals lead into the city. About twice a year many ships arrive here from all over Europe, some 200 or 300 from the Netherlands, France, England, Spain, Portugal, Germany, Poland, Lithuania, Norway, Sweden and the other countries of the North. ... There are also very good and experienced ship-builders here. ... This city is supported on large and sturdy wooden stilts that have been driven into the bed of the water. When you see the air, the sea, the dams and the many sluices, you can easily compare the city with Venice and consider it just as fortunate."
The plan presents Amsterdam in bird's-eye view from a northeasterly direction. On the left-hand side we can see how the mouth of the River Amstel has been dammed and its waters channelled into canals and made to pass through the city before flowing out into the Zuiderzee (today the IJsselmeer). The canals, which were used to transport imported goods to the counting houses located all over the city, are lined with private houses, commercial buildings and warehouses. In the centre of the plan, the old town hall (Stadhuis, 21) and the neighbouring Nieue Kerk (23) are also clearly recognizable. With its depiction of the heavy shipping traffic inside the harbour and on the Zuiderzee, the engraving conveys an impression of the contemporary scale of trade conducted in the continually expanding metropolis. In the 13th century Amsterdam was simply a small fishing port built on marshy ground. In 1300 it was granted its municipal charter and in 1369 became a member of the Hansa. Not until the beginning of the 1600s did the city finally establish itself as the leading centre of trade and the consultantly expanding hub of a global financial and commercial empire. This Golden Age brought not only an economic boom but also a flowering of the sciences and arts, which lasted until the end of the 17th century: Between 1570 and 1640 Amsterdam's population grew from around 30,000 to almost 140,000; today it numbers around 750,000. (Taschen)
Date of the first edition: 1572
Date of this map: 1572
Copper engraving, made after a woodcut by Cornelis Anthonisz, 1544.
Size: 34 x 49cm (13.3 x 19.1 inches)
Verso text: Latin
Condition: Old coloured, excellent.
Condition Rating: A
References: Van der Krogt 4, 107 State 1; Taschen, Braun and Hogenberg, p. 78; D'Ailly, 38-40.
From: Civitates Orbis Terrarum, Liber Primus. Cologne, Theodor Graminaeus, 1572. (Van der Krogt 4, 41:0)
Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.
Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.
Georg Braun (1541-1622)
Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.