'S-HERTOGENBOSCH 

TRANSLATION OF CARTOUCHE TEXT (on verso): Hertogenbosch is known for its school and belligerent populace, who raised their weapons more than once in the past against the people of Guelders. Here stands a magnificent church of Our Lady (Hadrianus Barlandus). 

COMMENTARY BY BRAUN: "'s-Hertogenbosch takes its name from the woods and "bushes" that this place formerly possessed at the time of the Duke of Brabant; it is considered one of the four noblest towns in all of Brabant; it has a school, a large number of inhabitants and solid buildings and is considered important and noble on account of its valiant people. There is also a richly decorated church with a splendid clock here." 

's-Hertogenbosch was granted a municipal charter in 1185. In the late Middle Ages, it was a market centre for farmers from the surrounding region, who traded in linen spun from flax and cloth are woven from wool. Besides having been a centre of the cloth industry, 's-Hertogenbosch was a distribution point for wine, fish and sandstone and was of cultural significance: the painter Hieronymus Bosch lived and worked here, and the humanist Georgius Macropedius, really Joris van Lanckfelt, was a teacher at the Latin school in 's-Hertogenbosch. Situated on a sandy ridge in the middle of marshes and strongly fortified, this strategically important city was for a long time considered impregnable. The Dutch Revolt in the 16th century ended the economic prosperity it enjoyed in the late Middle Ages. (Taschen) 

LEUVEN (LOUVAIN) 

TRANSLATION OF CARTOUCHE TEXT (on verso): Louvain is a very old city in Brabant, which, before Julius Caesar, was a small town surrounded by walls and was subsequently expanded to such an extent that the town now has a circumference of four Italian miles. This has been encouraged by the location and good healthy air of the city, which is also notably embellished by the magnificent church of St Peter's, the fine town hall, the very tall school, the plentiful waters of the River Dijle and finally the old castle built by Julius Caesar. 

COMMENTARY BY BRAUN (on verso): "Louvain is the capital of Brabant; it possesses a university whose student numbers are no less than Paris; it is a daughter of the University of Cologne but has grown larger than its mother. Along the rampart in the direction of Mechelen lies a very old castle, which served to entertain the princes and the administration of the citizens. Opposite it on the right is a castle with a very tall tower, from where on a clear day, you can see for eight miles, as far as Antwerp; this tower is commonly known as "Lost Fare"." 

This engraving shows the Belgian city of Louvain in side view, set within a hilly landscape and surrounded by an extensive city wall. On a grassy slope on the left stands the castle (Borcht); below it, further left again, the tall viewing tower (Verloren Cost) forms an integral part of the city wall. Other striking features in the cityscape include the unusual tower of Sint-Gertrudis, with its openwork stone steeple, and the church of Sint-Pieters opposite the town hall in the city centre. (Taschen)

The engraving is made after a woodcut in Guicciardini's Descrittione di tutti Paesi Bassi, 1567. 

MECHELEN 

CARTOUCHE: A very accurate drawing of the handsome city of Mechelen, situated in the middle of Brabant. 

Among the medieval centre's important buildings, with its old towers and manors, are the late Gothic St Oswald's church (top right) and the town hall (bottom centre), beside which is the Zytturm tower, Zug's landmark. The town was founded by the Counts of Kyburg at the start of the 13th century. In 1352, the Confederates conquered it and forced it to join the alliance. 

Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.

The Civitates Orbis Terrarum, also known as the 'Braun & Hogenberg', is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun, a skilled writer, wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572 and the sixth in 1617. Frans Hogenberg, a talented engraver, created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau, who provided valuable geographical information. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used as references. Translations appeared in German and French, making the atlas accessible to a wider audience.

Since its original publication of volume 1 in 1572, the Civitates Orbis Terrarum has left an indelible mark on the history of cartography. The first volume was followed by seven more editions in 1575, 1577, 1582, 1588, 1593, 1599, and 1612. Vol.2, initially released in 1575, saw subsequent editions in 1597 and 1612. The subsequent volumes, each a treasure trove of historical insights, graced the world in 1581, 1588, 1593, 1599, and 1606. The German translation of the first volume, a testament to its widespread appeal, debuted in 1574, followed by the French edition in 1575.

Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz, and Peter von Brachel, all of whom worked in Cologne.

Georg Braun (1541-1622)

Georg Braun, the author of the text accompanying the plans and views in the Civitates Orbis Terrarum, was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice, indicating his commitment to learning and intellectual pursuits. In 1561, he obtained his bachelor's degree; in 1562, he received his Magister Artium, further demonstrating his academic achievements. Although he left the Jesuit Order, he continued his studies in theology, gaining a licentiate in theology. His theological background likely influenced the content and tone of the text in the Civitates Orbis Terrarum, adding a unique perspective to the work.

Frans Hogenberg (1535-1590)

Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.

By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.

Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.