This product is successfully added to your cart
Questions about this product? (#23980)

Authenticity Guarantee
All items are guaranteed authentic prints (woodcuts or engravings) or manuscripts made at or about (c.) the given date and in good condition unless stated otherwise. We don’t sell facsimiles or reproductions. We deliver every map with a Certificate of Authenticity containing all the details.

Haarlem, by Braun and Hogenberg. 1597

TRANSLATION OF CARTOUCHE TEXT: Harlemum, or, as Hadrianus Barlandus writes, Herlemum, a renowned Dutch city founded by an illustrious man who had the German name Lem; the town was therefore called Herr-Lems-Stadt in German. We say Harlemum in Latin, with the same meaning. There is a great market square, beautiful houses, and an admirable church. The city is a charming location. Immediately after leaving the walls behind one, one enters a grove where various bird songs can be heard and where timid deer live, fleeing stags, hares, rabbits, in short, all manner of wild animals.

COMMENTARY BY BRAUN: "The art of book printing is said to have been invented in Haarlem, as attested by various sources. But the first inventor of this art died before he had assembled all the things he needed for printing. His servant then travelled to Mainz and began to practise the newly invented art there."

Haarlem, a trade city whose favourable position on the coast is shown in a bird's-eye view from the southeast, was experiencing a tremendous economic and demographic upturn at the time of the publication of this engraving, following the Agreement of Veere in 1577, when it was returned to the House of Orange. Around 1573 it had a population of 18,000, which by 1622 had risen to 40,000. Many Flemings came here to escape from the Spanish occupation and because of the flourishing textile industry. After a devastating fire laid by the Spanish had destroyed almost 500 buildings, the architect Lieven de Key planned much of the reconstruction work. The tulip trade also flourished in Haarlem in the 17th century. The three-nave Sint-Baafskerk, with its wooden tower and the town hall, can still be seen in the Grote Markt today. Here stands a bronze statue of Laurens Coster, who, according to a local legend, invented the art of book printing in 1423.
This engraving is made after a map by Jacob van Deventer. (Taschen)


Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.

The Civitates Orbis Terrarum, or the "Braun & Hogenberg", is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572, and the sixth in 1617. Frans Hogenberg created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used. Translations appeared in German and French.

Following the original publication of Volume 1 of the Civitates in 1572, seven further editions of 1575, 1577, 1582, 1588, 1593, 1599 and 1612 can be identified. Vol.2, first issued in 1575, was followed by further editions in 1597 and 1612. The subsequent volumes appeared in 1581, 1588, 1593, 1599 and 1606. The German translation of the first volume appeared from 1574 on, and the French edition from 1575 on.

Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz and Peter von Brachel, who all worked in Cologne.

Georg Braun (1541-1622)

Georg Braun was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice. 1561, he obtained his bachelor's degree, and in 1562, he received his Magister Artium. Although he left the Jesuit Order, he studied theology, gaining a licentiate in theology.

Frans Hogenberg (1535-1590)

Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.

By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.

Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.

back

Harlemum, Sive ut Ha: Barlan Herlemum, Urbs Hollandiae famosa, ...

€380  ($402.8 / £323)
add to cart
Buy now
questions?
PRINT

Item Number:  23980 Authenticity Guarantee

Category:  Antique maps > Europe > The Netherlands - Cities

Old antique map - bird's-eye view plan of Haarlem by Braun and Hogenberg.

Title: Harlemum, Sive ut Ha: Barlan Herlemum, Urbs Hollandiae famosa, ...

Cartographer: Jacob van Deventer.

Date of the first edition: 1575.
Date of this map: 1597.

Copper engraving, printed on paper.
Size (not including margins): 340 x 470mm (13.39 x 18.5 inches).
Verso: Latin text.
Condition: Uncoloured, excellent.
Condition Rating: A.

From: Civitates Orbis Terrarum, ... Part 2: De Praecipuis, Totius Universi Urbibus, Liber Secundus. Köln, Bertram Buchholz, 1597. (Van der Krogt 4, 41:1.2)

TRANSLATION OF CARTOUCHE TEXT: Harlemum, or, as Hadrianus Barlandus writes, Herlemum, a renowned Dutch city founded by an illustrious man who had the German name Lem; the town was therefore called Herr-Lems-Stadt in German. We say Harlemum in Latin, with the same meaning. There is a great market square, beautiful houses, and an admirable church. The city is a charming location. Immediately after leaving the walls behind one, one enters a grove where various bird songs can be heard and where timid deer live, fleeing stags, hares, rabbits, in short, all manner of wild animals.

COMMENTARY BY BRAUN: "The art of book printing is said to have been invented in Haarlem, as attested by various sources. But the first inventor of this art died before he had assembled all the things he needed for printing. His servant then travelled to Mainz and began to practise the newly invented art there."

Haarlem, a trade city whose favourable position on the coast is shown in a bird's-eye view from the southeast, was experiencing a tremendous economic and demographic upturn at the time of the publication of this engraving, following the Agreement of Veere in 1577, when it was returned to the House of Orange. Around 1573 it had a population of 18,000, which by 1622 had risen to 40,000. Many Flemings came here to escape from the Spanish occupation and because of the flourishing textile industry. After a devastating fire laid by the Spanish had destroyed almost 500 buildings, the architect Lieven de Key planned much of the reconstruction work. The tulip trade also flourished in Haarlem in the 17th century. The three-nave Sint-Baafskerk, with its wooden tower and the town hall, can still be seen in the Grote Markt today. Here stands a bronze statue of Laurens Coster, who, according to a local legend, invented the art of book printing in 1423.
This engraving is made after a map by Jacob van Deventer. (Taschen)


Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.

The Civitates Orbis Terrarum, or the "Braun & Hogenberg", is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572, and the sixth in 1617. Frans Hogenberg created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used. Translations appeared in German and French.

Following the original publication of Volume 1 of the Civitates in 1572, seven further editions of 1575, 1577, 1582, 1588, 1593, 1599 and 1612 can be identified. Vol.2, first issued in 1575, was followed by further editions in 1597 and 1612. The subsequent volumes appeared in 1581, 1588, 1593, 1599 and 1606. The German translation of the first volume appeared from 1574 on, and the French edition from 1575 on.

Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz and Peter von Brachel, who all worked in Cologne.

Georg Braun (1541-1622)

Georg Braun was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice. 1561, he obtained his bachelor's degree, and in 1562, he received his Magister Artium. Although he left the Jesuit Order, he studied theology, gaining a licentiate in theology.

Frans Hogenberg (1535-1590)

Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.

By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.

Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.

References: Van der Krogt 4 - #1672; Fauser - #5231; Taschen (Br. Hog.) - p.156