BURGOS

The engraving has probably been made after a drawing by Anton van de Wyngaerde.

TRANSLATION OF CARTOUCHE TEXT: Burgos, a famous old city in Spain, also has the names Auca, Pravum Masburgum, and Liconitiurgis.

COMMENTARY BY BRAUN: "The inhabitants of this city are no idlers or vagrants, but all, men and women alike, earn their living from the work of their own hands; they are honest folk who devote themselves to handicraft and the arts. The merchants, who multiply the city's wealth, are honest and generous. The largest church is wondrously designed, inside and out; inside it, divine service is celebrated at Communion, with singers and organs in five different chapels, none disturbing the other."

Burgos was developed as a stronghold against the Moors from AD 884. In 932, it became the county's capital and in 1037 the Kingdom of Castile. Burgos lies like a theatre on a hill on the right bank of the Arlazón. The ruined citadel, the former fortress of the kings of Castile, can be seen in the picture. Rising above the city is the vast Gothic cathedral. The city's commercial activities centred upon wool, cheese and cloth production, industries to which the artist refers in his staffage. By the time the Civitates Orbis Terrarum came to be published, Burgos's situation had taken a turn for the worse and Braun's text was no longer wholly accurate. In 1565 the city was namely struck by the plague, which claimed the lives of almost half its population, and economic setbacks and migration further weakened the town over a prolonged period. Burgos, or more accurately Vivar 7 km away, is the birthplace of the Spanish national hero El Cid, who distinguished himself in the battle against the Moors in the 11th century.

SAN SEBASTIÁN

The engraving was made after a drawing by Georg Hoefnagel.

CARTOUCHE: San Sebastián, commonly known as Donostia, on the Atlantic, is an important town in the province of Guipúzcoa.

COMMENTARY BY BRAUN: "This town is very famous for its wide harbour, in which ships find a safe anchorage during stormy seas and strong winds. Since it was built not by the hard work and skill of man but by the careful hand of Nature, it is well known amongst many German merchants, above all, however, amongst the Cantabrian merchants who transport all sorts of wares here and also export them again. The town also possesses fertile fields for producing grain, wine and wool. The Pyrenees begin four Spanish miles away."

San Sebastián's favourable seaside location on the Bay of La Concha (The Shell), in the north of the Iberian Peninsula between Monte Igueldo and Monte Urgull with the small rocky Island on Santa Clara, is clearly illustrated in the engraving. The town's buildings appear cramped, and no details can be identified. Nevertheless, the view shows San Sebastián after its reconstruction; in January 1489, a blaze had namely destroyed almost all the buildings in the town, which had been constructed chiefly of wood. Having been rebuilt, the city subsequently became the base of the Cantabrian armada. On a rocky outcrop on the left-hand edge of the picture is the martyred figure of St Sebastian, from whom the town takes its name. (Taschen)

Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.

The Civitates Orbis Terrarum, or the "Braun & Hogenberg", is a six-volume town atlas and the most excellent book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun wrote the text accompanying the plans and views on the verso. Many plates were engraved after the original drawings of a professional artist, a professional artist, Joris Hoefnagel (1542-1600). The first volume was published in Latin in 1572, and the sixth in 1617. Frans Hogenberg created the tables for volumes I through IV, and Simon van den Neuwel made those for volumes V and VI. Other contributors were cartographers Daniel Freese and Heinrich Rantzau. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used. Translations appeared in German and French.

Following the original publication of Volume 1 of the Civitates in 1572, seven further editions of 1575, 1577, 1582, 1588, 1593, 1599 and 1612 can be identified. Vol.2, first issued in 1575, was followed by further editions in 1597 and 1612. The subsequent volumes appeared in 1581, 1588, 1593, 1599 and 1606. The German translation of the first volume appeared from 1574 on, and the French edition from 1575 on.

Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz and Peter von Brachel, who all worked in Cologne.

Georg Braun (1541-1622)

Georg Braun was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice. 1561, he obtained his bachelor's degree, and in 1562, he received his Magister Artium. Although he left the Jesuit Order, he studied theology, gaining a licentiate in theology.

Frans Hogenberg (1535-1590)

Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.

By the end of the 1560s, Frans Hogenberg was employed upon Abraham Ortelius's Theatrum Orbis Terrarum, published in 1570; he is named an engraver of numerous maps. In 1568, he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. He immediately embarked on his two most important works, the Civitates, published in 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.

Thanks to large-scale projects like the Geschichtsblätter and the Civitates, Hogenberg's social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590.